Showing posts with label China. Show all posts
Showing posts with label China. Show all posts

Sunday, May 7, 2017

My thoughts on two-bit Marvel Batman or wait…I mean Iron Fist

There are many ways to start this blog. I could relate it to my experiences growing up mixed race, I could start it talking about the tweet storm that descended every time I watched a minute of Iron Fist, and a million other ways that begin academically/professionally but end up a mire of foaming-at-the-mouth rage. But honestly, Danny’s not worth that sort of time or energy.

Those of you who read this (all four!) will probably recognize these ideas from previous tweets, Facebook posts, and angry/exasperated text messages but I’ve probably spent more time thinking about Danny Rand than the writers did so I thought I should have all of those ideas organized in one place. I will also try to refer to much smarter minds than myself for some of these issues because I am only one person and can’t think of all the ways this was entirely mediocre.

You may be thinking “Paulina, if you hated it so much, why did you finish it?” Well, person who questions my life choices, it started with a podcast I did with the awesome Daniel Kwan at the SAAs in Vancouver. We chatted about everything under the sun regarding diversity and being of Asian heritage, and at one point we started ripping into Iron Fist, which had just come out. Between the two of us, we had seen maybe an episode or two, but we had seen enough to joke about forcing ourselves to watch the whole thing then do another Podcast. I thought, hey sure, I’ll give it a chance even though there are tons of articles coming out about how boring it was etc. [All the hyperlinks]. I also had a morbid interest in actually seeing what was going on because I enjoy the Marvel cinematic/Netflix Universe and Colleen Wing seemed like such a boss.

So, post SAA, but before returning to school the BF and I put the first two episodes on and realized very quickly that there was no way in hell we could get ourselves to finish this on its own. So we decided, let’s pair this with Into the Badlands which we had both heard great things about. I put the first five minutes on and was like “This dude riding on this motorcycle is more interesting than that whole episode of Iron Fist”. From then on, we had a formula, two episodes of Iron Fist to one episode of Into the Badlands.

(NOTE: I would instead recommend just watching Into the Badlands and, if you really need to know, Googling a synopsis of Iron Fist and watching the fight with Lewis Tan. Then maybe re-watch the Defenders trailer to see how many times Jessica Jones sasses Danny because he deserves it.)

So what was so bad about it? Well, almost everything. The casting was unimpressive, the acting was bad, the fight scenes were boring, the overall plot was unclear, the writing was atrocious, and the show did nothing to improve the problematic origins of the character. I’ll try to address my critiques in that order, otherwise I’ll die of an aneurysm. However, honestly, they bleed and crisscross one another so it’s hard to say where one of these critiques ends and the next begins.

Casting: Danny Rand is white in the comics but he’s also supposed to be interesting and capable. For training so much as a monk, he is not that physically impressive and isn’t that good at martial arts. Marvel cannot tell me they could not find a decent-looking blonde, white actor who knew at least some Kung-Fu. There are tons of Caucasian dudes who do Kung-Fu, so, it’s absurd that they went with someone who so minimally fit the visual profile of Danny Rand.

The acting: So the writing is atrocious, which I’ll get to in a second, but Finn Jones doesn’t do much to convince me of anything. He looks like a petulant child when he’s angry, which is about 75% of the time. And his uncontrollable anger/anxiety does not do justice to those who experience such emotions. I’ve seen people go through such episodes and Finn acts them so badly they are borderline comedic, which is not what we want when right now we do so little to support people with mental health problems. Especially coming after Jessica Jones, which did such a great job with that, the poor acting surrounding such issues is truly infuriating.

The fight scenes: So there were a couple good ones, I will give them that. HOWEVER, THE WHOLE POINT OF THE IRON FIST IS MARTIAL ARTS MASTERY. Literally, he was created alongside characters like Shang-Chi, Colleen Wing, and Misty Knight as part of a growing line of martial arts heroes. So, his martial arts should be impeccable. Instead, there is a stiffness whenever Finn Jones executes moves that makes the divide when he fights professionals, like the fight with Lewis Tan, even larger. This makes his entire purpose (master of kung fu) unbelievable and his whole character come off as mediocre. Also, as he’s told us, like five million times, he has been training for 15 years doing Kung-Fu in a place surrounded by Kung-Fu masters who only doing Kung-Fu. Did I mention Kung Fu? (Or that you’d get more students if you taught Kung-Fu even though it’s clearly a Japanese constellation martial arts studio?) HE ALSO DEFEATED A REAL DRAGON TO GET HIS POWERS WITH HIS KUNG FU. Overall, the scenes feel slow when you can actually see people move or they’re cutting between shots so quickly you have no time to actually admire the fighting that’s going on. They also do “cool” but tricksy cinematic shots like stage fights at night or in dimly light areas, meaning they can hide what’s not going well in the fight. This became even more obnoxious when pairing the show with Into the Badlands, whose bread and butter is epic long-cut fight scenes. And to top it off, multiple times in the show he is on the precipice of LOSING, badly, to people who should not be close to his equal.

The overall plot: How did Danny get to New York without a passport or identification? How does he know how to drive an actual car? Why does he still speak American English? Why does he still act white in his physicality? Why was David Wenham’s character even there? What was the point of Davos coming back? What was the point of this season? What did we learn about who Danny is? What did we actually learn about his origin? WHAT IS HE EVEN FIGHTING FOR? Because honestly, I’m not sure and the overall plot seemed to want to be half introduce the Hand, while actually giving us no real information about the Hand except maybe hinting at Bad Davos, and half “PLEASE LIKE DANNY”. But what does Danny fight for? So far as I could tell, he felt like Marvel’s mediocre Batman. His parents are killed, he gets trained in the ways of an Eastern martial arts, comes back and then RETAKES THE COMPANY and gets vengeance?! It’s Batman Begins but boring and, sidenote, Finn Jones is not as hot as Christian Bale. ANYWAYS what is he fighting for? He has no real ties to New York beyond the five people he’s met and honestly being away from 15 years and growing up with monks would probably make places like New York and the whole American system feel extremely cruel. So why stay? And honestly, the way he interacts with his company in New York feels like the most white-people-problems shit I’ve ever seen, it’s like he’s still a child even though clearly Davos, who also is from K’un L’un, can act like an adult and still have a little bit of fish-out-of-water too. Also Thor was a fish-out-of-water and didn’t come across as an annoyingly naïve child.

The writing:Worst Iron Fist ever.” “This means I have to kill him for you” “But I’m Danny Rand” “I’m Danny Rand” “I’M DANNY RAND” These are the lines I remember from this show. Particularly, because I laughed at all of them. The plot, as mentioned above, was confusing but so often the individual lines were just absurd. They were written stiff, acted stiffly, and did not convey anything that they should have. It’s like, did no one edit the scripts for these episodes? Because they were trash and it’s like, we really know you are Danny Rand, seriously, you can stop saying your name. It’s like he was some sort of Pokemon that got stuck only saying their own name for 13 episodes.

And lastly, but not leastly, the Problematic Origins of the Iron Fist:

Like most superheroes, beyond ye olde white-straight-cis-het-male-American heroes, the origins of Danny Rand and his whole schtick are problematic. Why? Well like Luke Cage and Shang-Chi, he was created at a point in time where comics were written by white-cis-het-male-Americans who had no idea about cultural appropriation and had yet to take the time to examine how their culture was inherently racist. So, these characters, while great for bringing “diversity” into comics, contain horrible stereotypes that modern writers have spent a lot of time fixing. Essentially, if you pick up any Luke Cage comics before 2000, though some may also take issue with the Max CAGE series, you will see a horribly stereotyped essentially racist portrayal of an African American man. The Netflix series dispels most of that, and created a well-rounded solid representation of an African American man, and modern African American culture, and engaged with how his power was a symbol for the ongoing conflict we have in this country between structural violence and the African American body.

Iron Fist? Yeah…No. Full disclosure, I haven’t read much Iron Fist. However, there are tons of articles out there by people who have but I’m going to give my two cents on some of the excuses I have heard about Iron Fist:

“But Danny is white in the comics!”

Yes and so were Elektra and Psylocke originally and they were be played by Asian heritage actors.

“His race doesn’t really matter!”

If his race doesn’t really matter why did you pick a white person? White is not the global average for generic! It’s white and has just as much racial baggage as any other choice. Especially when he had no martial arts background anyways!

“He was supposed to feel like the other”

Where? We don’t see his training in K’un L’un where he is supposedly an “outsider” (like being picked on by all the mean Asian boys) and clearly he was less of an outsider than he claimed if he had the same rights as everyone else at the monastery. Is he an outsider in New York? He sort of is, but that could be done with anyone because that’s personality and not physical perception. Also if it’s about feeling like the "other" any Asian American will tell you that no matter how similar you might look to others in Asia, they know when you aren’t a local. Also we’ve had the white-guy in Asia outsider story told like a Kajillion times before, this isn’t unique (See the Last Samurai).

“There are other Asian superheroes that Marvel can use”

Yes all five of them. There actually is a paucity of well-developed Asian-American heroes in the Marvel universe and they get whitewashed anyways (see: The Ancient One)! Seriously, if you read Totally Awesome Hulk #15 you’ll see almost all of the Asian American superheroes Marvel has on offer (sans X-men). Also, the three most well-known ones were created in the last five years and are ALL spin-offs/new mantel takers (Ms. Marvel, Totally Awesome Hulk, and Silk) so doing this to Iron Fist would not have been out of step with what Marvel is doing already. Additionally, the Iron Fist is a mantel, not a person, and they change all the time. There have been many Iron Fists, the series The Immortal Iron Fist talks about them, and Marvel is not married to its cannon (Psylocke literally spontaneously changes ethnicities in the comics at one point). There is no reason to preserve his ethnicity when it serves no purpose to the story, it embodies a type of cultural appropriation, and forwards the stereotype that Caucasians are better at being Asians than Asian people. Even better, they could have done a swap, like they did with Patsy Walker for Carol Danvers in Jessica Jones! Shang-Chi could have been originally named Danny Rand but given a new name by the monks or become the Iron Fist and blam, you make a fine swap/merge and the world keeps turning.

There are probably lots of other “but actuallys” or “what ifs” but overall Iron Fist wasn’t good and while it wouldn’t have fixed the other problems casting an Asian-heritage actor as Danny would have lessened a lot of the sting. By choosing to cast a Caucasian actor, they don’t acknowledge the orientalist origin of his character or adapt his story to fit modern relationships with Asian nations, heritage, and culture and they didn't use his own backstory to make up for the those problems. For example, they don't take the idea of being raised in another culture to their logical end. He didn't act like a monk in his physicality, he speaks English like they only spoke English in K'un L'un, and overall nothing about his character besides his fighting skills and him telling us he's been to K'un L'un point him being brought up in a completely different culture.

They didn't follow any of their own plot points to their logical conclusion and while they may still have not done that with an Asian American actor like Lewis Tan they would have at least helped rectify the appropriative origins of the character. Assuming they had actually cast Lewis Tan this blog would be like “At least the fight scenes were awesome and they followed through with a commitment to diversity” instead of “Why didn’t we burn this before it began?”

Sunday, April 17, 2016

IAA – P2: Pan-Asian Culture in American Visual Media – Dr. Strange v. Firefly v. Kung-Fu Panda 3

I mentioned this in my inspiration post that there were two roads towards this section of the blog. The general one being in reaction to JK Rowling’s mishap with Native American and Caucasian American History and the second was watching Kung-Fu Panda 3. The two are related via the trinity of influence, adaptation, and appropriation because although I enjoyed Kung-Fu Panda 3, I also wondered why I felt more comfortable with their use of East-Asian culture than I did with Firefly. And then the Dr. Strange trailer had to drop. And I was like well…this just stirs up a bunch of mixed feelings. So I’m going to write about how each of these different visual media fairs against the IAA scale. 1 being not too X, 10 being way too X.

Firefly/Serenity (2002, 2005)

What: One of the most beloved, and slighted, science fiction shows known within western culture and Science fiction fandom. Essentially a space-western, except everyone swears in Chinese.

How is it related to Asian culture: Everyone swears in Chinese and there are some signs at one point apparently in Chinese. There is also clearly Asian influence in some costume designs

What initially made me concerned: Everyone swears in Chinese, and in the movie there is some clear influence East-Asian pop cultural references. However, there are no main characters that are Asian in the crew nor can I remember ever seeing an Asian person actually in the show.

Influence: 4

Appropriation: 7

Adaptation:2

Why: There are clearly Asian influences in Firefly, the name of the ship and the clothing styles for Inara, they also even use Chinese as a language to swear in. The problem with all of this is the lack of actual Asian representation in the show. As much as I enjoy the diversity of Firefly, especially the number of highly capable women and the representation of Afro-Caribbean/-American actors, there are no people I can remember in the entirety of the show who are actually Asian. There are like a billion characters that draw from American “wild west” tropes but none that are actually Asian, even for use in stereotyped forms (ninjas etc.). You get an English gangster but not one Asian one. As much as I love Firefly, and the idea that these COULD have been developed had the show continued, that’s still no excuse for the lack of Asian representation in the first season. Even the movie doesn’t do much to further rectify the problem, the villains of the namely Empire still don’t represent the culture that they are supposed to be from. The problem with this, having the aesthetics and the language without the physical representation, is, as I addressed in the first blog, that those cultural behaviors are rarely expressed without people. Goods can travel, but language requires regular speaking contact and we can see even in America’s own history that when Asian cultures are present in the Wild West, which they were, they bring their language and a whole host of other cultural traits. To create a future based on this blend without the actual people makes it rate high on the appropriation scale.

Kung-Fu Panda 3 (2015)

What: The third installment in a series about a Panda who does Kung-Fu. It is set in a mythical China where there are no humans and all animals are anthropomorphized. Everyone eats vegetables and there is no cannibalism of other species.

How is it related to Asian culture: The story is about Kung-Fu and set in China.

What initially made me concerned: Why are none of the major voice actors of Asian descent? Is it accurately portraying Chinese cultural traits?

Influence: 10

Appropriation: 3

Adaptation:10

Why: Kung-Fu Panda has a lot of things going for it that make it more on the influence and adaptation side than appropriation. The biggest probably being the fact that Chinese studios are actually involved in the making of at least number three. However, as much as this helped to maintain the authenticity of the foods and aesthetics, and even a Chinese version of Kung-Fu Fighting at the end, there are aspects of the movie that rate along appropriation. For me the biggest problem is that the major speaking roles, except Oogway, are all voiced by Caucasian actors. While this is a kids’ movie, and when it is dubbed anyone could speak the role, it’s frustrating to see an almost stereotypical representation of Chinese culture voiced by a Caucasian man. While Jack Black is admittedly hilarious, and the movie is fun, it’s bothered me that as the franchise has continued Lucy Liu and Jackie Chan, who voice Viper and Monkey, are continually sidelined for additional quips by the male comedians who are often, in this context, not that funny. So even though it’s definitely adapted, animals for people, heavily influenced, it still gets a rating of 3 for appropriation.

Dr. Strange (2016)

What: The most recent Marvel solo movie about a brain surgeon who gets in a car accident and is unable to perform surgery who goes to Tibet/Nepal to find himself after his accident/surgery. Finding himself included finding magic

How is it related to Asian culture: The entire premise for his “magic” centers on Eastern Asian philosophy and in the original comics he learns from a 500 Tibetan Man how to harness powers based on these East Asian philosophies and magic.

What initially made me concerned: A many Doctors and Surgeons in the United States are now of Asian descent and it would have been the perfect chance to ethnicity swap a major but not super critical Marvel character. While the did not do this to the good Doctor himself, they did gender swap (which is positive) but also ethnicity swapped the teacher of Dr. Strange to being white.

Influence: 7

Appropriation: 7

Adaptation:1

Why: Dr. Strange is a strange Marvel character and like Thor represents an aspect of Superheroism that is sometimes hard to reconcile with ultra-modern technology and people with genetic mutations. However, it also made a lot of sense at the time it was written. The problem is that the movie did not do anything to rectify this very historically contingent use of Asian culture. And to a degree they made it worse. The basic premise for Dr. Strange is that a highly successful Neurosurgeon, who is basically a giant jerk, gets into a car accident and the surgeon who reconstructs his hands is unable to make them steady enough for Dr. Strange to go back to surgery. So goes on a quest to figure out who he is and where does he go? Tibet of course. Which is where he eventually learns the arts of astral projection and mysticism. Yay! In the 1960s having that be a white guy made sense, in 2016, personally, I think it would have been better to cast an Asian actor (who goes back to examine his heritage during a time of crises and builds upon the fact that many in the medical field are not white). Anyways, in the comics, he learns from a 500 Tibetan man how to do this. Well, who gets to be that? Tilda Swinton…Well that’s ok, I’m happy that it’s a woman. I’m not so happy that the implication that Tibetans 500 years ago were white, or that an Ancient spirit decided to live in Tibet and choose to be white, or the implication essentially that Caucasians are better at being Asian, or the idea that Marvel couldn’t write a good movie-worthy Asian character. None of those things are good and so as much as Dr. Strange is influenced by Asian culture, it didn’t do much adapting, and instead decided to appropriate.