Saturday, October 6, 2018

#DannyRants

I find myself starting Iron Fist again and I don't know why. Season one was awful and from the first few scenes of this season, it is not clear that Marvel learned their lesson. How do I know this? Well there's a yin/yang sign on a shipping truck and all I can think is, “this is what you thought of? This is what you want me to get from Iron Fist?” and then I started laughing because of course this is how Iron Fist would open, with a ham-fisted attempt to wallop us with attempts at “relevant” symbolism...

But why? Why am I still watching? Well, I can't quit Iron Fist because it leaves me with so many questions and the feeling that Marvel is in fact, trying to phone it in. There's just too much work going into making martial arts, dragons, and magic boring and I am obsessed with all the ways it could be better. My notes on the episodes are full of unanswered questions regarding design, imagery, acting, writing, casting, and basically every part of the show that it makes me wonder where they put the money to make it. It’s my Pepe Silvia.

Specifically, most of these phone-it-ins have to do with character motivation throughout the series. While Sacha Dhawan (Davos) and Jessica Stroup (Joy Meachum) do great jobs with what is written, I wonder about the directors asking them "what's your character's motivation" and them looking at each other with blank stares because the writing gives no cues. No matter how many times Joy says "You kept my father from me" or Davos says "There's a cancer in this city" I don't see how their actions follow. Why does Davos care about crime in New York? He has no tie to the city or any nation state, having grown up in K’un L’un, so why start there? If he really cared he should be punching senators in Washington, DC or going to the sources of crime not beating up or murdering petty criminals. Joy's motivation feels more warranted, the idea that her dead father was hidden from her by Ward. She and Ward have some great conversations about it (they're well acted in spite of the writing in most cases) but the actions feel disproportionate. Why would Joy have Danny kneecapped rather than go to therapy when she never had an inclination towards trademark villain behaviors? Therapy is cheaper (even Ward’s trying it) and would give her more resolution in the long run. The best I can say is at least they made Joy less forgettable than last season.

The one shining beacon in this season has been Misty Knight, riding in on a gallant steed of reasonable questions, solid acting, and good chemistry. Misty's great with all the characters, even having some chemistry with a more memorable Ward Meachum, and they teased us with a Daughters of the Dragon duo. While that possibility is fantastic, I’m not sure how I feel about Jessica Henwick’s Colleen. I can’t tell if its her acting or the writing but her character's actions feel haphazard and just...off. Nearing the end of the season Colleen acts resigned but with no preceding steps towards that feeling. This "off" feeling particularly comes through in the fight scenes where in one, Colleen seems to have forgotten all her empty hand techniques and in the next, she's creaming three enemies at once. These made it hard to feel that Misty and Colleen could actually be good partners. One is a well-written clearly compiled character with defined skills, the other is a mish-mash roller coaster of character choices and it’s unclear what she’s actually capable of and not in a good way.

Overall, Season 2 is better, but to say that is like saying it only forgot to add 4 of the ingredients instead of 5 for the dish that is Iron Fist. The bar was so low that yes, they raised it, but it's not a bar I'd be proud of getting over. There are a lot of ideas in the series but if we have a season three I hope they take a step back to think about what they've done. Marvel's delivered us a horribly bland white savior character, centered a bunch of white folks, and then doubled down on it. What sort of message does that send and is that what they want to send, especially now? In a year like this one, with Crazy Rich Asians killing it at the box office and Asian Marvel characters like Jimmy Woo (Randall Park) stealing the show in Ant-man and The Wasp, why continue a mediocre trajectory?

Sunday, April 8, 2018

Mixed-Race Creators, some recommendations

It's been a while and thank you for patiently waiting for the return of these blogs. Awesome and rewarding things have happened since I last posted a blog here (I recently got two articles published over on Women Write About Comics) and to start off the New Year (yes I know it's the beginning of April and past Lunar New Year as well) I'm going to toss out some creator recommendations.

Last year at GeekGirlCon, I moderated a panel on mixed-race characters in fiction. You can see the footage of it here and the tweet/photo above was from the awesome Lauren Bullock who attended the panel. I had a great group of people on the team and between that and the upcoming Alloy Anthology I thought it would be a great time to plug a few mixed race creators.

Tristan J. Tarwater

One of my favorite panelists of all time and an all around awesome person is Tristan. They has been on a bunch of panels with me and is a fantastic writer. They write Shamsee an ongoing webcomic and their book The Marauders' Island was the first physical book I finished reading in 2017 and is amazing. The book is a high seas family reunion in world where land and sea operate as one world and magic traditions are woven into the culture of each place. You can grab their books off of amazon and many local libraries (do a purchase request if you can't) and if you pick up her stuff don't forget to write a review. To find out more about her check out her website and follow her @backthatelfup on social media.

Marjorie Liu

A paranormal and comics writer, Marjorie Liu is fantastic. I really enjoyed her book The Iron Hunt, which was set in a paranormal-noir-modern-Seattle, and would love more audiobooks for her impressive oeuvre so that I could consume more of her work. She currently writes, Monstress for image and is specifically interested in talking about, and to, the experience of mixed-race people. While through allegory (which uses the biological definition of race as opposed to the social concept of race), it touches on the diversity of mixed-race people and the myriad ways we can or have “passed”. You can also buy her work on amazon or get them from many local libraries (do a purchase request if you can't) and if you pick up her stuff don't forget to write a review. You can check out her website for more information and follow her @marjoriemliu on social media.

Julie Fiveash

I met Julie at Indigenous Comic Con 2017 and her work is really cool. She blends the unsettling with the cute (I got a bunny sticker from her that says “Death Awaits”) and was great to talk to at the convention. She had a bunch of zines available (so if you catch her in person pick up a couple) and I grabbed “Why Can’t You-: A comic about multi-racial identity,” which is exactly what it sounds like in the best possible way. It blends 2-6 panel short comics into one plot and goes through the type of interactions that all multi-racial people have gone through. You can follow her work on tumblr, instagram and view her portfolio here.

Yoshi Yoshitani

I had the honor of having Yoshi on a panel with me at Rose City Comic Con to talk about Cultural Appropriation and she is an amazing artist. Her work covers all sorts of topics and what initially drew me to her work is a Tarot deck inspired by fairy tale stories from all over the world. She has an amazing and unique style and recently, she has decided to go full freelance (congratulations) and has worked on a bunch of awesome new covers for Star Trek, Monstress, and other comics. You can find out more about her on her website and buy her work here. To hear more about her upcoming projects and appearances follow her on social media @yoshisquared.

Kiku Hughes

Last but not least is Kiku who was also on the mixed-race creators panel at Geek Girl Con last year. Her ongoing webcomic the Sublimes is great and her graphic novel Displacement is going to be published by First Second in 2019. She also has the amazing honor of being the assistant editor to Der-Shing Helmer on the Alloy Anthology. Check out more of her work here and you can follow her on social media @geniusbeee

One of the best parts about looking for panelists for the mixed-race characters in fiction panel (and accidentally also my #ExpressiveAsians panel at Emerald City Comic Con) has been to see how large the multi/mixed/bi-racial creative community is. Many of us fall into the “ambiguous brown person” (a quote directly from Julie Fiveash's “Why Can’t You-: A comic about multi-racial identity”) category and no matter where we grew up there are some experiences that we all share. And if the works of these creators pique your interest, check them out and follow the the Alloy Anthology website to find out when the Kickstarter begins and to find out about more mixed-race creators.